Everybody's comments are appreciated and well-taken.
But there's something more about dumpster diving that you all should know.
What is "food"? I'm not talking sketchy "is that moldy?" questions, I'm talking legitimate food. Last night we went out again. Quite an unexpected evening. We arrived at the dumpster at 10:30pm. Just as I ducked around the side of the dumpster, a car drove by. Stina walked on, seeming to just be enjoying the night air. The car stopped. It parked. From it emerged 2 fellow scruffy-looking youngsters. "I see we had the same idea." says one. Stina introduces herself and me (still hiding behind the dumpster, 'cause I can't see or hear what's going on).
The dark-haired fellow introduces himself:
"I'm Brendhan, from Seattle."
No, seriously.
My hair isn't dark enough that I'd self-describe as dark-haired. That's not me talking and misspelling my name. That's him. With him is Scott, the guitarist.
We spent the evening with them. From grocery story 1, we rode in the van with them
to grocery store 2, and learned their stories - road trip, Vashon Island, in a band playing at the Saturn, odd jobs, nice though racist landlady, etc, etc.
We're going to try to work together to create a big enough busk that we can perform in "The best pitch in North America" somewhen near Mardi Gras.
Anyways, at Grocery Store 2 we found treasure:
Green, red, and yellow bell pepper tops and bottoms. Nearly a dozen bottles of Prego.
And this is what I mean by "What is food?"
It seems absurd to me that the grocery store would throw these things out. Presumably they slice the bell peppers prettily and throw out the parts that aren't the middle. I'm pretty sure they wouldn't donate those either, because the perception is that they aren't worth keeping. But we found gallons and gallons of these discarded parts. And tonight I am making so much spaghetti sauce, God would cry.
And the Prego - something had been spilled on them, so they threw the whole carton out. It wasn't worth it to wash them. The marketing is, after all, where so much of the money goes, so washing them off and maybe smearing the label destroys the merchandises value... plus you'd have to pay someone to wash them off... Oh, I don't know the reasoning, but this is the kind of thing that I know is still good to eat... hell, they're still vacuum sealed.
Bah and Hooray to waste!
Showing posts with label buskers. Show all posts
Showing posts with label buskers. Show all posts
Thursday, January 29, 2009
Sunday, November 23, 2008
From discouragement to empowerment
We are reenergized, empowered, and enthusiastic, and let me tell you why.
Yesterday noonish we went out with our circle busk in Jackson Square. It was a beautiful day and tourists abounded (we actually heard it was a rather meager crowd for a Saturday, but it was the most buskerrific crowd we had yet seen this trip). We talked with a few street artists, and found an excellent spot to set up. I set out from our spot on stilts to gather an audience, and Stina stayed behind to amuse passersby. We gathered a modest crowd to begin of about 10. And we began. And everybody walked away. Ouch. We rushed through the rest of the show for the one remaining man, a street artist who had talked with us enough that I'm sure he felt obligated. Towards the end, a couple kids stopped by to listen to our stories. Families, however, had left us, so while kids may be fascinated by us and our everything, their parents are not... and parents generally dictate what their kids watch (and if their kids' entertainers get paid).
Whoa. $0 is discouraging. It doesn't scale well.
We offered our space to Alexander the Magician (see last blog for his website). We watched him operate in the same conditions we had. While he mentioned it was a slow day, he held a good 20 people's attention and convinced them he was worth several dollars each. His show was confident, competent and amusing.
Walking home that evening, and realizing how far our show was from even mediocrity, we outlined our options.
We recognized that much of our disappointment was caused by our nearly zero context for expectations. We had, we thought, modest expectations, but getting out there, we see that our skill set and audience interaction needs to improve 4-fold. And so we also reurned to the question of why we do this and what the payoff is.
In all its glory, our list of options:
1. Continue as planned (see last month's post for that plan)
2. Stay in New Orleans for 3 months and work work work to improve our skills and busking
3. Give up the busking portion of our plan and travel the world for the next year
4. Move to any city we choose and concentrate on our dreams (Brendan-acting, Stina-writing)
5. Seek out venues more attuned to our style of busking (e.g. Ren Faires)
A few of the above options had sub-option, like 4a (city= New Orleans, Brendan's Dream=busking)
Over the course of 3 hours we came to a tentative decision.
We slept on it.
Today we took the necessary steps to make our decision reality.
We will sublet Jocelyn's apartment (she's moving in with her boyfriend, Nate). We will follow a strict rehearsal schedule:
3 hours a day of Juggling and Stilt-walking practice 4 days a week
3 hours a day of content creation and discussion 4 days a week
2 hours of trickle busking each week
3 circle busks each week
As we improve, we will increase the amount of busking we do - there's nothing like practical experience.
Yesterday noonish we went out with our circle busk in Jackson Square. It was a beautiful day and tourists abounded (we actually heard it was a rather meager crowd for a Saturday, but it was the most buskerrific crowd we had yet seen this trip). We talked with a few street artists, and found an excellent spot to set up. I set out from our spot on stilts to gather an audience, and Stina stayed behind to amuse passersby. We gathered a modest crowd to begin of about 10. And we began. And everybody walked away. Ouch. We rushed through the rest of the show for the one remaining man, a street artist who had talked with us enough that I'm sure he felt obligated. Towards the end, a couple kids stopped by to listen to our stories. Families, however, had left us, so while kids may be fascinated by us and our everything, their parents are not... and parents generally dictate what their kids watch (and if their kids' entertainers get paid).
Whoa. $0 is discouraging. It doesn't scale well.
We offered our space to Alexander the Magician (see last blog for his website). We watched him operate in the same conditions we had. While he mentioned it was a slow day, he held a good 20 people's attention and convinced them he was worth several dollars each. His show was confident, competent and amusing.
Walking home that evening, and realizing how far our show was from even mediocrity, we outlined our options.
We recognized that much of our disappointment was caused by our nearly zero context for expectations. We had, we thought, modest expectations, but getting out there, we see that our skill set and audience interaction needs to improve 4-fold. And so we also reurned to the question of why we do this and what the payoff is.
In all its glory, our list of options:
1. Continue as planned (see last month's post for that plan)
2. Stay in New Orleans for 3 months and work work work to improve our skills and busking
3. Give up the busking portion of our plan and travel the world for the next year
4. Move to any city we choose and concentrate on our dreams (Brendan-acting, Stina-writing)
5. Seek out venues more attuned to our style of busking (e.g. Ren Faires)
A few of the above options had sub-option, like 4a (city= New Orleans, Brendan's Dream=busking)
Over the course of 3 hours we came to a tentative decision.
We slept on it.
Today we took the necessary steps to make our decision reality.
We will sublet Jocelyn's apartment (she's moving in with her boyfriend, Nate). We will follow a strict rehearsal schedule:
3 hours a day of Juggling and Stilt-walking practice 4 days a week
3 hours a day of content creation and discussion 4 days a week
2 hours of trickle busking each week
3 circle busks each week
As we improve, we will increase the amount of busking we do - there's nothing like practical experience.
Monday, November 17, 2008
Adventures in Busking
Stina’s Stories:
On Saturday we set forth, stilts in hand, for a day filled with parades, meeting theatrey people, and enjoying numerous festivals going on in New Orleans. I’ll skip directly to the latter part of busking we did that day. There was a fringe festival going on this past weekend, and they had an area set up as headquarters where people could buy tickets and t-shirts and perform on a stage set up there. We were told it would be open on a first come first serve basis beginning at 5pm, so at 4:30pm or so we headed there so we could hopefully be first and perform a shortened version of the show we did for friends and family both in Seattle and Wisconsin.
There was a show for kids in progress when we arrived, a rather bizarre puppet show. As we waited for it to end, the weather was getting colder and colder and a few people had started to leave. Miss Led, the woman in charge of the stage area, was eager for us to perform and hurried to announce our show as soon as the puppet show was over, and thankfully people stuck around for it.
This was the first time we had a significant number of small children watching our show and they are quite the rowdy crowd. When Brendan started telling jokes, the kids started telling jokes back. When I pretended the balls were stuck in my hand, two kids jumped up and helped pull them out. It’s great how directly involved they get. I wonder if adult audiences should be more like that. But it’s not usually the right way to behave at a show and would throw the performers off, but maybe we need more shows that get the audience involved.
After our show we received a lot of positive feedback. Misled offered to help us set up a show if we come to town again on our travels, and people were very enthusiastic about what we had presented. It made us feel great and ready to do it again.
On Sunday we set forth once more, this time to do some street busking. We made a sign that says “Find us online at ANDJUGGLING .com” and “If you like what you see, feel free to give a tip” with an arrow pointing to the side where we set our hat. We went to Canal Street, which is at the entrance to the French Quarter and is a popular street for shopping and where a lot of people get off the streetcar. We found a spot on the sidewalk that looked good, and asked the shop closest if it was all right with them, got the ok, and began.
Kids again helped make us feel great. These three kids came by with a man who may have been their father or grandfather walking ahead of them. They stopped to see us juggle and we offered to tell them a story and they loved it, and wanted another, and then another. We told a story about a doll that got revenge on her child because her child never played with her, one about Spiderman, and one about Paul Bunyan scaring away the hurricanes from New Orleans. The adult wanted to move along then, but first he took our picture with the kids, gave us five dollars, and complimented us on what we were offering to the world. These are the moments that make us feel like we’re doing just what we should be doing.
Shortly after this, we realized there was another shop very nearby that we should have asked permission of, and when we did, the shopworker basically said we sounded really obnoxious and it would be great if we would move. So we walked around the corner, but the spot didn’t seem very good. No one was stopping and fewer people seemed to be passing. So we moved on again, this time to Bourbon Street, which is always humming.
There’s a story at Bourbon Street I’ll let Brendan tell, but suffice it to say for now that the rest of our evening was filled with rather negative experiences. It seems very nearly impossible not to take these to heart as much as we do the positive experiences, which leaves me feeling somewhat confused. Why do some people really enjoy the stories we tell and our method of entertainment, and others not? Do other street performers get such immediate feedback from their audiences, both positive and negative? When I don’t particularly care for a street performer’s style of music or artwork or whatever, I usually just walk on by without saying anything. But we got a guy who responded to our question of “Would you like to hear another story?” with “Will it be better than the last one?” I did just say I think audiences should be more interactive, but I’d rather it wasn’t in the form of negative feedback.
Our two days kind of equalize, but we’ll try to learn from both. There is some good to be gained from negative feedback. It tells us something we’re doing is making at least one person uncomfortable and then we can try to figure out ways to make our performance accessible to everyone, even that one nasty person. I just hope the positive feedback will soon far outweigh the negative.
Brendan’s Stories:
Stina got a good chunk of it hammered out above, there, but briefly, some moments for posterity:
Saturday: Unreal! We began the day by seeking out the Fringe Festival Parade. We arrived at the cross streets where the parade was to end, no parade, no people. Had we missed it? We wandered up the street, along the parade’s scheduled path. Was there another St. Claude Street? This one was 4-lanes with a median... it didn’t seem like a parade street to me, especially since it had no people standing on the side to see the parade. Walking a few blocks more, we and two other groups of people converged on a street corner and realized that the 5 of us were all looking for the parade and were baffled. We parted ways, wishing each other luck with parade-finding. Further along, we overheard at a bus stop potential passengers wondering why the bus was late, and hypothesizing that maybe there was another parade... yes, in fact some woman had heard maybe there was something or other like that. We see flashing lights. We sit out front of the Golden Arches, and for one block watch a parade with a marching band, stiltwalkers, and odd accoutrements. Another couple, this one with a ballsy dog, watches as well. The parade passes in 5 minutes, and we go on our merry way.
We head on stilts to the Fringe Festival tent. At the cross street where the tent is meant to be, we find friendly theatre people gathered around a fallen antique circus tent. We help put it back up. When we return later to perform (as mentioned in Stina’s blog), we find no tent. It has been given up on. (This should not be taken as any indication of the organization of the festival, which was very well received from what we noted by the standing room only attendance at the show we attended Sunday night.)
In that in-between time, during which the tent ripped and fell out of our sight, we attended the book fair going on along Frenchman Street. After walking past much of it and running into Nate’s roommate Jo (Nate is Jocelyn’s boyfriend), we ate and went into a bar that had turned itself into an impromptu host of booksellers and artists. Towards the back of the bar, I casually happened upon a Ms. Rippey of Honors Croquet League fame, and member of the whole bizarre interconnectedness that is the University of Washington classes of 2002-2006. She came to watch our performance later that evening and authored the phrase of the night, “German Air-conditioner Vandals”.
After running into our distinguished colleague, down the street we made our way one block to the buskers on the corner playing pretty (Accordion, Violin and Tuba with Dog-style) music. At this folkpunkfiddle venue, we happened upon Lisa from the chocolate shop I worked at in 2004 dancing in the streets. She invited us to attempt rope-jumping with her and her pals. Stina attempted double-dutch unsuccessfully but with great verve. Lisa also arrived to see us at the performance space later, but after watching the around-the-world marionette show for 30 minutes, went to get her coat and did not make it back in time to see us perform.
We performed at a chainlink fence between these two bits of Seattle surreality, and received verbal accolades from pausers and passersby.
Sunday: Not as Unreal, but every bit at experience-ful.
In addition to the 5 dollars made from the positive man and his 3 children, we made a few dollars performing for the waiting crowd outside The Lunatic King (the crowd that didn’t make it in to see that soldout show) and six cents on Bourbon Street from a guy who wished he had more to give because he really enjoyed our show.
The story that Stina has left for me to tell involves badscaryness, so if you don’t feel inclined to know of problems we face, feel free to stop reading this entry.
In our attempts to gather a crowd (or, in truth, even one audience member) we advertise that we have stories for people. Most people respond pleasantly to our invitations to our hear a story, even if the don’t stop. A very few are belligerent as they pass by, but of no concern. Some others offer their excuses: “Late for work”, “had a rough day”, “am too drunk/high”. The in-a-hurry ones we don’t try to stop, mostly. But we do appeal to the other two for their interest. Indeed, we hope we are pleasant and uplifting, and so someone who had had a rough day could find their day improved by pausing for a moment. Even more likely seem subjects of alcohol and drug enhancements. After all, “why not?” is usually an apt reason when inebriated.
On such group of individuals passed us headed towards Canal Street, and one man amongst them said “I’m too high”. We let them be. But then they approached our area again. An opportunity if I ever saw one.
“So, you’ve come back for a story,” I asked.
“Too high,” was again the response.
“We’ve got stories for people who are high and people who are low,” I cleverly replied.
At this point the man in the group who had not yet said anything to us turned on me.
“What’s your story, man?” he growled, “where do you get off calling us high?” He put down his beer bottle and rounded on me. “What’s your story? Why don’t you tell me your story.” He held his arm out as if to swing at me.
I had very little response. “We’re just peddling stories. Go on. You don’t have to hear them.” I had a moment of clarity, but instead of using it to prepare myself to duck, I prepared myself to be hit. I’m not known for my quick thinking in a crisis.
Luckily the friend who had been telling us he was high stepped in. “They were just making jokes, man.” He put his hand on his friends shoulder and guided him away.
Phew.
A man from the restaurant came out and told us we had to go, too... or something... and then something about the cops, maybe... I don’t know. I have a hard time understanding people when they’re giving me bad news, I tend to just hear their tone. At first, I thought he had just come out to sympathize with us, but as he ducked his head inside, I realized that I hadn’t understood, but had clearly detected the tone people use when they’re worried about confrontation. We had been involved in a commotion, and were now a liability to that sidewalk space.
You know, I’ve always scoffed at the phrase “mean people suck”, but they really do.
On a more pleasant and recreational note, we got to stop and visit with Eric at the Starbucks on the way home from BloominDeals (where we hope to buy costume pieces, and which is closed on Mondays and at 4:50 every other weekday), and now we’re off to Marxist Monday with Jocelyn and Nathan.
P.S. ornamental peppers are edible, juicy, delicious and SPICY!! (painfully so, attests Stina; delightfully so, attests Brendan)
On Saturday we set forth, stilts in hand, for a day filled with parades, meeting theatrey people, and enjoying numerous festivals going on in New Orleans. I’ll skip directly to the latter part of busking we did that day. There was a fringe festival going on this past weekend, and they had an area set up as headquarters where people could buy tickets and t-shirts and perform on a stage set up there. We were told it would be open on a first come first serve basis beginning at 5pm, so at 4:30pm or so we headed there so we could hopefully be first and perform a shortened version of the show we did for friends and family both in Seattle and Wisconsin.
There was a show for kids in progress when we arrived, a rather bizarre puppet show. As we waited for it to end, the weather was getting colder and colder and a few people had started to leave. Miss Led, the woman in charge of the stage area, was eager for us to perform and hurried to announce our show as soon as the puppet show was over, and thankfully people stuck around for it.
This was the first time we had a significant number of small children watching our show and they are quite the rowdy crowd. When Brendan started telling jokes, the kids started telling jokes back. When I pretended the balls were stuck in my hand, two kids jumped up and helped pull them out. It’s great how directly involved they get. I wonder if adult audiences should be more like that. But it’s not usually the right way to behave at a show and would throw the performers off, but maybe we need more shows that get the audience involved.
After our show we received a lot of positive feedback. Misled offered to help us set up a show if we come to town again on our travels, and people were very enthusiastic about what we had presented. It made us feel great and ready to do it again.
On Sunday we set forth once more, this time to do some street busking. We made a sign that says “Find us online at ANDJUGGLING .com” and “If you like what you see, feel free to give a tip” with an arrow pointing to the side where we set our hat. We went to Canal Street, which is at the entrance to the French Quarter and is a popular street for shopping and where a lot of people get off the streetcar. We found a spot on the sidewalk that looked good, and asked the shop closest if it was all right with them, got the ok, and began.
Kids again helped make us feel great. These three kids came by with a man who may have been their father or grandfather walking ahead of them. They stopped to see us juggle and we offered to tell them a story and they loved it, and wanted another, and then another. We told a story about a doll that got revenge on her child because her child never played with her, one about Spiderman, and one about Paul Bunyan scaring away the hurricanes from New Orleans. The adult wanted to move along then, but first he took our picture with the kids, gave us five dollars, and complimented us on what we were offering to the world. These are the moments that make us feel like we’re doing just what we should be doing.
Shortly after this, we realized there was another shop very nearby that we should have asked permission of, and when we did, the shopworker basically said we sounded really obnoxious and it would be great if we would move. So we walked around the corner, but the spot didn’t seem very good. No one was stopping and fewer people seemed to be passing. So we moved on again, this time to Bourbon Street, which is always humming.
There’s a story at Bourbon Street I’ll let Brendan tell, but suffice it to say for now that the rest of our evening was filled with rather negative experiences. It seems very nearly impossible not to take these to heart as much as we do the positive experiences, which leaves me feeling somewhat confused. Why do some people really enjoy the stories we tell and our method of entertainment, and others not? Do other street performers get such immediate feedback from their audiences, both positive and negative? When I don’t particularly care for a street performer’s style of music or artwork or whatever, I usually just walk on by without saying anything. But we got a guy who responded to our question of “Would you like to hear another story?” with “Will it be better than the last one?” I did just say I think audiences should be more interactive, but I’d rather it wasn’t in the form of negative feedback.
Our two days kind of equalize, but we’ll try to learn from both. There is some good to be gained from negative feedback. It tells us something we’re doing is making at least one person uncomfortable and then we can try to figure out ways to make our performance accessible to everyone, even that one nasty person. I just hope the positive feedback will soon far outweigh the negative.
Brendan’s Stories:
Stina got a good chunk of it hammered out above, there, but briefly, some moments for posterity:
Saturday: Unreal! We began the day by seeking out the Fringe Festival Parade. We arrived at the cross streets where the parade was to end, no parade, no people. Had we missed it? We wandered up the street, along the parade’s scheduled path. Was there another St. Claude Street? This one was 4-lanes with a median... it didn’t seem like a parade street to me, especially since it had no people standing on the side to see the parade. Walking a few blocks more, we and two other groups of people converged on a street corner and realized that the 5 of us were all looking for the parade and were baffled. We parted ways, wishing each other luck with parade-finding. Further along, we overheard at a bus stop potential passengers wondering why the bus was late, and hypothesizing that maybe there was another parade... yes, in fact some woman had heard maybe there was something or other like that. We see flashing lights. We sit out front of the Golden Arches, and for one block watch a parade with a marching band, stiltwalkers, and odd accoutrements. Another couple, this one with a ballsy dog, watches as well. The parade passes in 5 minutes, and we go on our merry way.
We head on stilts to the Fringe Festival tent. At the cross street where the tent is meant to be, we find friendly theatre people gathered around a fallen antique circus tent. We help put it back up. When we return later to perform (as mentioned in Stina’s blog), we find no tent. It has been given up on. (This should not be taken as any indication of the organization of the festival, which was very well received from what we noted by the standing room only attendance at the show we attended Sunday night.)
In that in-between time, during which the tent ripped and fell out of our sight, we attended the book fair going on along Frenchman Street. After walking past much of it and running into Nate’s roommate Jo (Nate is Jocelyn’s boyfriend), we ate and went into a bar that had turned itself into an impromptu host of booksellers and artists. Towards the back of the bar, I casually happened upon a Ms. Rippey of Honors Croquet League fame, and member of the whole bizarre interconnectedness that is the University of Washington classes of 2002-2006. She came to watch our performance later that evening and authored the phrase of the night, “German Air-conditioner Vandals”.
After running into our distinguished colleague, down the street we made our way one block to the buskers on the corner playing pretty (Accordion, Violin and Tuba with Dog-style) music. At this folkpunkfiddle venue, we happened upon Lisa from the chocolate shop I worked at in 2004 dancing in the streets. She invited us to attempt rope-jumping with her and her pals. Stina attempted double-dutch unsuccessfully but with great verve. Lisa also arrived to see us at the performance space later, but after watching the around-the-world marionette show for 30 minutes, went to get her coat and did not make it back in time to see us perform.
We performed at a chainlink fence between these two bits of Seattle surreality, and received verbal accolades from pausers and passersby.
Sunday: Not as Unreal, but every bit at experience-ful.
In addition to the 5 dollars made from the positive man and his 3 children, we made a few dollars performing for the waiting crowd outside The Lunatic King (the crowd that didn’t make it in to see that soldout show) and six cents on Bourbon Street from a guy who wished he had more to give because he really enjoyed our show.
The story that Stina has left for me to tell involves badscaryness, so if you don’t feel inclined to know of problems we face, feel free to stop reading this entry.
In our attempts to gather a crowd (or, in truth, even one audience member) we advertise that we have stories for people. Most people respond pleasantly to our invitations to our hear a story, even if the don’t stop. A very few are belligerent as they pass by, but of no concern. Some others offer their excuses: “Late for work”, “had a rough day”, “am too drunk/high”. The in-a-hurry ones we don’t try to stop, mostly. But we do appeal to the other two for their interest. Indeed, we hope we are pleasant and uplifting, and so someone who had had a rough day could find their day improved by pausing for a moment. Even more likely seem subjects of alcohol and drug enhancements. After all, “why not?” is usually an apt reason when inebriated.
On such group of individuals passed us headed towards Canal Street, and one man amongst them said “I’m too high”. We let them be. But then they approached our area again. An opportunity if I ever saw one.
“So, you’ve come back for a story,” I asked.
“Too high,” was again the response.
“We’ve got stories for people who are high and people who are low,” I cleverly replied.
At this point the man in the group who had not yet said anything to us turned on me.
“What’s your story, man?” he growled, “where do you get off calling us high?” He put down his beer bottle and rounded on me. “What’s your story? Why don’t you tell me your story.” He held his arm out as if to swing at me.
I had very little response. “We’re just peddling stories. Go on. You don’t have to hear them.” I had a moment of clarity, but instead of using it to prepare myself to duck, I prepared myself to be hit. I’m not known for my quick thinking in a crisis.
Luckily the friend who had been telling us he was high stepped in. “They were just making jokes, man.” He put his hand on his friends shoulder and guided him away.
Phew.
A man from the restaurant came out and told us we had to go, too... or something... and then something about the cops, maybe... I don’t know. I have a hard time understanding people when they’re giving me bad news, I tend to just hear their tone. At first, I thought he had just come out to sympathize with us, but as he ducked his head inside, I realized that I hadn’t understood, but had clearly detected the tone people use when they’re worried about confrontation. We had been involved in a commotion, and were now a liability to that sidewalk space.
You know, I’ve always scoffed at the phrase “mean people suck”, but they really do.
On a more pleasant and recreational note, we got to stop and visit with Eric at the Starbucks on the way home from BloominDeals (where we hope to buy costume pieces, and which is closed on Mondays and at 4:50 every other weekday), and now we’re off to Marxist Monday with Jocelyn and Nathan.
P.S. ornamental peppers are edible, juicy, delicious and SPICY!! (painfully so, attests Stina; delightfully so, attests Brendan)
Tuesday, November 11, 2008
Now we are in New Orleans
We arrived in New Orleans at around 6pm yesterday and Jocelyn and Nate were waiting for us at the station. It is a grand thing to go from cold to warm and from the discomfort of sleeping on a bus to the joy of sleeping in and stretching out on a bed. Jocelyn and Nate took us right to food, which was also a book club meeting with 11 other med school students. They were discussing the book Cosmicomics Italo Calvino, two copies of which have now been lent to us so we can read it and make sense of the discussion we sat in on last night. Everyone at the meeting was kind and interested in meeting us and once they started discussing the book, they stayed on topic very well, which impressed me.
Jocelyn is generously giving us her apartment as our own while we are here. She is staying at Nate's, which is within easy walking distance, and tonight we will head over there to have dinner with them. Right now we are at Community Coffee, which has free WiFi and is also within easy walking distance. Tomorrow we may busk a little, and will at least head to where other buskers are and get an idea of what it's like to busk in New Orleans. Today we are still recuperating from our colds, mine having reached its worst spot (I hope) last night and this morning. The queasiness of yestereve has passed into a general difficulty to breathe today, but I have high hopes that I will be mostly recovered tomorrow.
A question for our readers: What do you think about buskers? How does it make you feel to see a busker (of any kind)? Go any direction you like with this, and please post responses as comments.
Jocelyn is generously giving us her apartment as our own while we are here. She is staying at Nate's, which is within easy walking distance, and tonight we will head over there to have dinner with them. Right now we are at Community Coffee, which has free WiFi and is also within easy walking distance. Tomorrow we may busk a little, and will at least head to where other buskers are and get an idea of what it's like to busk in New Orleans. Today we are still recuperating from our colds, mine having reached its worst spot (I hope) last night and this morning. The queasiness of yestereve has passed into a general difficulty to breathe today, but I have high hopes that I will be mostly recovered tomorrow.
A question for our readers: What do you think about buskers? How does it make you feel to see a busker (of any kind)? Go any direction you like with this, and please post responses as comments.
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